The Boy
Overview:
Synopsis: Greta is a young American woman who takes a job as a nanny in a remote English village, only to discover that the family's 8-year-old is a life-sized doll that the parents care for just like a real boy, as a way to cope with the death of their actual son 20 years prior.
In IMDB Retrieved 3rd January
http://www.imdb.com/title/tt3882082/plotsummary
Production Company: Lakeshore Entertainment/Vertigo Entertainment
Distributors: STX Entertainment
Budget: $10 million
Music: Bear McCeary
Further Research into Bear McCeary
Bear McCeary is a degreed graduate of the prestigious USC Thornton School of Music (in 'Composition and Recording Arts'). Bear McCeary was one of a small and select group of proteges of the late, many-honoured film composer Elmer Bernstein. Although he is now firmly in the mainstream of film composition, many of McCreary's earliest soundtrack-music compositions were for independent motion picture productions.
In IMDB Retrieved 3rd January
http://www.imdb.com/name/nm0566970/
Brief Analysis:
- Begins with a black screen where the distributors are presented and transition out with a fade.
- Title is shown in a typeface similar to Times New Roman, which could be considered old fashioned and neat.
- A clown doll is shown where the cast credits appear.
- Non- Diegetic sounds - music box, children (creepy) and music gets lower as the title is shown.


- Which switches to a long shot of the car going down the road - large trees on either side to emphasise how dangerous the roads can be at night - camera continues to track the car.
- Camera is placed in the side of the road to show the black cab getting closer.
- The scene transitions with a slow fade where the audience now see the main character of the movie in the back seat of the taxi where she is asleep, indicating she has been on a long journey.
- The camera is placed in the drivers POV so that we can see the lady in the overhead mirror.
- A close up of the woman is shown after she adjusts her blouse in suspicion.
- A low angle shot shown of the car driving, along the road - the camera pans from left to right to show the large trees that block the road from the outside world.
- Upward tilt/ close up of driver opening the gates - this shot is particularly effective due to the metal gates being very large like most mansions tend to have. The writer may have chosen to use a mansion as a setting for the film because empty space can be considered scary, as you never know what hides within it.
- Camera is placed at a low angle when an establishing shot of the house is shown, to emphasise its size.
- Dialogue between characters (Two Shot).
- Camera is placed high above the lady as if the building was looking down on her which is intimidating for the lady.
- A shot from the inside of the house, where the only light source is the sunlight coming from outdoors - emphasises how mysterious and 'dark' the house will reveal to be.
- Ambient sounds such as door creaking, her footsteps on the wood create verisimilitude.
- Close up of the woman taking her shoes off, as the house may appear to look very well kept in the rooms that are most used for example, the entrance.
- Long shot - to show her size compared to the room.
- The camera tracks her as she walks through the hallway.
- Last credit is shown which is the director.
- The camera is placed so that we can see her go up the stairs through the eye of the stuffed animal head, which could imply that she is being watched by everything that is not alive.
It Follows - Independent Horror Film
Overview:
Production Company: Northern Lights Film/ Animal Kingdom & Two Flints.
Distributors: Radius / TWC / Dimension Films
Music: Disaster Peace
Further Research into Disaster Peace
In 2014, Vreeland produced the soundtrack for David Robert Mitchell's sophomore film It Follows, after being approached by Mitchell, a fan of Vreeland's work on the video game Fez.
In Wikipedia Retrieved 3rd January
https://en.wikipedia.org/wiki/Disasterpeace#Soundtracks
Brief Analysis:
- First credit begins to show on a black screen where a strong wind sound is played in the background.
- The scene/sound cuts suddenly to show an establishing shot of the neighbourhood - it has a wide road where there are no people around.
- Ambient sounds - creates verisimilitude.
- Camera pans from left to right to show a large house.
- A deep sudden sound is used to stun the audience as a girl runs out of the door screaming.
- The camera tracks her movement as she runs to stand in the middle of the street.
- Dull colours - light seeping through the trees. The girl continues to walk backwards, a lady and her father as if she is ok (The people around her are also curious about her behaviour as well as the audience, possibly to make the audience feel less worried about not knowing what's happening).
- Mysterious, suspenseful soundtrack being played in the background to create an eery atmosphere.
- The girl continues to run as the camera tracks her - left to right (picks up in pace).
- The girl runs back to the house and then gets in her car and begins to drive away.
- The camera slowly zooms out to show that the car is driving away.
- Camera is placed in the backseat to show the girl driving away as if something was following her.
- The next shot shows the girl sitting by a lake very far away on the phone to her father saying that she loves him - as if she knows she is going to be killed.
- The scene then cuts to black and the camera is placed close to her face, there is bloody all over her neck, indicating to the audience that the girl has been killed.
- The camera zooms out to appear a horrifying image of the girls leg snapped explaining, that something is clearly lurking in the darkness.
- The technique of using a light background with a 'dark' image contrasts but is particularly effective and shocking to the audience. This is because in most horror films people get killed at night and the gore is mainly represented within the darkness however, this opening throws the audience in the deep end from the get go which is a great technique the director has used.
What I've Learnt:
From briefly analysing these two horror movie openings, I can gather that both use low-key lighting in order to create a mysterious atmosphere for the audience, which is one of the most common features within a a movie of this genre. I also noticed that 'It Follows' doesn't display the credits within this scene, which could be because they want the audience to focus on what is happening rather than reading who the characters are, this is very effective.
Lastly, both movies include something that most people were scared of in their past. For example, 'The Boy' is set in a large mansion which is classed as haunted throughout the movie, and this was a fear many young people had due to the large empty spaces and high walls/ceilings. As for 'It Follows', something appears to be following the girl and as the people around her could not see anything, this may imply that it could be a monster or mythical creature. This is made clear when the shot of her lying on the beach with a snapped leg is shown, because a human being couldn't possibly do that much damage.
Therefore, these fears are incorporated within horror movies, to scare the audience by reminding them of what they thought was terrifying in the past, could still be frightening in the present.